February 5, 2018 § 9 Comments
(I’m taking a camera which can’t take pictures to document the erasure of this history).
The Art of Now: A Return to Catalonia
BBC Radio 4
Transmission Date Monday, 19th March 2018, 4pm
Presented by Sonia Boué
Produced by Anna Scott-Brown
So I’m finally returning. I can’t help wondering what Abuela (grandma) would say?
I wish too that my father could know that I am going back to Catalonia, via the beaches of Barcarès and Argèles (where he was held in refugee interment camps), to retrace his exile journey to England in 1939.
At the age of 18, he, along with 500,000 other Spaniards, fled for his life across the border to France. I have spent the last five years building a body of work in response to this family history, and have also cast my net wider to encompass figures such as British artist and Spanish Civil War volunteer, Felicia Browne, and the exiled Spanish writer and broadcaster, Arturo Barea.
Now, I have been asked to make a programme for Radio 4 with Overtone Productions, and my question about taking my practice to Spain will in part be answered. I will be retracing my father’s footsteps and creating responses along the way. We have a very short timeframe to make this programme and so I’m thrown into sifting and planning (in ways I am very conscious the exiles couldn’t) the artistic side of my journey.
The job feels vast, and at times overwhelming in the time available – not helped by a brain which likes to canter off in 10 directions at once. Reigning in and staying focused is the thing. Here is where my obsessive nature is hugely beneficial to my work. I dig in and apply myself to the detail.
My feel for the bigger picture is pure intuition – I trust I can make the stages of my journey join up by getting each stage right conceptually speaking. My work is made easier because I can draw on some existing pieces in my growing collection, but I will be making new responses and hoping to bring them all together by the end of the programme.
I’m brimming with gratitude to Overtone Productions for pitching this programme, and feel a weight of responsibility – this is a highly sensitive history. Also Lurking is the spectre of inherited trauma – as I probe more deeply into it I gain a firmer grasp on the terror through which this history was suppressed. I hear new information from my mother which confirms it and brings it closer.
I feel my father’s fear as though it were my own. As though it were live.
I conclude that it is. This is what we mean by the term, postmemory. Recent events in Catalonia serve to demonstrate how difficult Spanish history is, how tensions remain from the unresolved legacies of the Civil War.
I won’t really know how to respond until I get to the beach of Barcarès, or until I’m confronted with the entrance to my grandmother’s flat (which she left in 1975) in the Barceloneta. All I can do is plan and pack my suitcases full of artistic possibility.
Each morning I pinch myself anew. Somehow I’ve landed the job of my dreams.
October 13, 2017 § Leave a comment
This is quite a specialised blog post. I’ve been excited to find a slide show presentation from 2014 on a memory stick (autistically I burrow backwards and rely often on chance encounters with the past – the trick is to leave a trail…)
Like Hansel and Gretel before me I left some breadcrumbs, but still I’m rather awestruck that I could have missed working my way back to this somewhat seminal moment in the evolution of a project called The Museum for Object Research.
It’s a singular slide show. Many of the references will be obscure. It relates to my father’s two earliest plays – one unpublished and the other published in the Castilian language in small number and now out of print. Many of the references would be known only to the conference delegates of 2014 (familiar with the history of Spanish exile). Other references perhaps only I, or a handful of other people would understand. This doesn’t really matter. It’s the conceptual framework for my object work that matters – this is the exciting nature of my find!
October 2, 2017 § 7 Comments
I am not Catalan but I feel the recent events in Spain very deeply. I am an Anglo-British daughter of a Spanish Republican exile born in Madrid. My grandfather was from Galicia and my grandmother from Southern Spain, but they returned from their exile in France in 1941 to live in Barcelona. This place was my home from home as I grew up. Barcelona was my long Summers’ idyl, the city of all my high days and holidays, and my absolute love.
I have written often in my art blog about the long erasure of the Spanish exiles from the history books of Spain, and how my father and my grandparents never spoke of their internment in the French camps of Argelès sur Mer and Barcarès. I didn’t know or question why I lived in two places, or why my grandmother wept so bitterly in her kitchen each time we returned to England.
This is what violent political repression does – it silences you. Not just in the streets with batons. No. The erasure of memory and the taping of tongues creeps deeply into the everyday fabric of our lives. In many ways the invisible brutality of a dictatorship is at the heart of my recent cycle of paintings called simply, Buenos Días Dictador.
The dictator is everywhere and nowhere. The dictator follows you wherever you go.
The Catalan question itself is too complex for me to write about. I am an artist, not a historian or political analyst. But I know about living with exile. I know about suppression. And I know what’s more that these wounds run so deep in Spain that even 81 years on from the start of that Civil War it is hard to talk about Spain. Mine is a postmemory experience. My contact with the history is indirect, but my fear is present and real.
I have changed my social media settings to share this blog post.
The Catalan question can be hard to grasp, but you can recognise state suppression when you see it. All the hallmarks are there – and it’s impossible to argue with the statement by Barcelona’s mayor Ada Colau. A line has been crossed and Rajoy is not fit to serve. Like so many bullies before him he is a coward, one who has set armed police against an unarmed citizenry.
There have been many opportunities to negotiate, which is what democracies are made for. Democracy is talking. Democracy can never be throwing citizens around like rag dolls, breaking their fingers, kicking and batting them with truncheons. Someone has died I believe, and more than 800 injured.
Most sickeningly there have been statements by Rajoy and his deputy claiming a proportionate response. But, no. This is not ‘normal’ or right.
With my art practice I witness. It’s all I can do.
March 10, 2017 § 26 Comments
Yes, yes, yes…okay, okay. Alright. I boil washed another jumper! It’s becoming a thing – a metaphorical thing.
This post is about access and exclusion.
It’s about a stripy jumper made out of scratchy wool that doesn’t fit. Like that awful Xmas gift (that keeps on itching) – you really don’t want it but you have to say thank you.
And if you say thank you very much for all your kindness but…(insert any variant on a polite – er…it doesn’t quite fit me) be prepared for trouble and even abuse.
This matters because we’re not really talking Christmas gifts where there is less at stake in keeping schtum. Access is about basic equality, and yet ‘social tangle alert!’ It seems we must be grateful and find ways of asserting ourselves which do not upset anybody – unless you fancy a nice slap down that is.
Yes. It is ‘socially’ problematic for autistics to talk about access for many reasons, many of which flow from the fact that we are rarely in a position to lead the conversation.
Firstly we have an issue of system bias (viewing autistics from an non-autistic perspectives which can be erroneous and unhelpful), but also logic is not as strong a suit for non-autistics (diagnostically so).
What seems to matter more at times (judging from a recent negative experience) is that we are seen to be gratefully acquiescent and value effort above possible fit, and therefore not mention our inconvenient discomforts. And here we hit another potential rock. If non-autistics are highly invested in the process (as they must be often to continue with their work) they may feel that they have become ‘expert’, acquiring all manner of specialist knowledge – and they may also passionately believe that they know autism inside and out (and in their own ways they do). I don’t doubt that this can be genuine and I am indeed grateful for their interest and commitment.
Increasingly, (as awareness grows) non-autistics do now in some ways consult autistics about their access needs – and are seriously intent on advocating from primary sources. Okay – so what can go wrong?
It is both complex and simple. Two things; there are many autisms and autism (I’m very much afraid) can only be experienced from within. I can explain my autism to you, and you will understand it from your own neurological perspective. I wish this were otherwise but no.
SO even if the research is done – the resulting material still comes together from a non-autistic perspective and will be presented thus. This is the work of cultural interpretation and translation, subject to the usual problematics of error and potential tone deafness to the language of some autistic native speakers.
This could be justifiable at one time before the advent of the adult autistic self-advocacy movement, which daily gathers strength as a driver for social justice. But it no longer is in my view. Autistics can’t as a group be spoken for ‘because no one else will’. We are here literally crawling out of the woodwork of late diagnosis and we have some serious skills to share.
So when an ally does great ground work and volunteers their time – and even their soul time my appreciation is genuine. But don’t just consult us – let us ‘speak’ (in which ever modality that expression occurs). I say this because ‘speaking’ is not about talking always. And if we challenge you – please listen. Don’t swipe us down. We’ve taken a long time to open up and speaking out can be a huge deal despite appearances.
This week I have been subject to the accusation of condescension. My polite ask for high functioning and low functioning labels not to be used rejected. When I’ve said that autistics I know would prefer to speak for themselves I am told that this is all well and good but that many can’t ‘speak’, and therefore it is up to non-autistics to speak for them.
I had stumbled on perhaps the greatest chasm in the autism world at present – parents of autistics vs adult autistics. Hence perhaps the bitter bile that rose to the throat. I truly wish it didn’t have to be like this. How can we have a decent conversation if dissent leads so readily to insult.
I am a parent too. But I will (by some) of course be accused of having a child too high functioning to count. I am myself too high functioning to count perhaps? But think about who loses.
I refuse such demeaning terms. I refuse high functioning as much as low functioning – it’s opposite number. Low functioning is not a term to describe any person, child or adult in my view. I don’t even want to go there. Would you like it? I don’t go around calling my non-autistic friends high or low functioning normals. See what I mean?
My view is that autistics are complex beings like any other group. As a group our needs vary greatly but we share this characteristic with the rest of humanity. Dignity on all levels flows from supportive language from which to forge identity and define ourselves – this is a universal human need, I would argue. So I suggest that low functioning is a crap thing to hear about yourself, and I say so knowing how painful it was to have my cognitive profile outlined in terms of ‘deficits’ – and that part of my healing from this experience has been to reframe the language I use about myself.
My recent experience (provoked by an unwillingness to just pipe down) signals an increasing frustration with a silencing by other voices in my community. I am accused of thinking I ‘own’ this debate. No doubt I would also be accused of tone deafness to parent’s needs and those of autistics with support needs I don’t share. I don’t think my stance implies either – this isn’t a zero sum game. Adult autistic contributions benefit everyone.
And we as a group (and I as an individual) do want to lead, shape and inform society in it’s betterment of autistic lives. It is said by many and it is said increasingly often. Listen to autistic adults – we can help improve your child’s future world now, whatever their needs may be.
December 8, 2016 § 14 Comments
It’s been interesting lately. Autistic truths rain down on me and I make progress in my understanding of a fundamental difference – it’s the day-to-day truths that crystallise and move in.
I am at a concert alone because my husband is ill. My strategy to arrive just in time mainly works. I gain a seat at the back (I won’t see my daughter – competition for seats is a ruthless elbow grazer and not for me – but I am near the door). At the last moment I see someone I know, and we talk briefly before she finds a seat. This is okay.
Half familiar faces blur around me. I’m not sure whether to nod, but our eyes don’t meet – so I guess not. I glance at my phone, send a message, and feel the comforting spine of the book I prepared earlier. It takes a minute to notice that the noise is extraordinary. The acoustics in this elegant and lofty church are too good . The babble of voices casually cymbal – in every pew people are talking. For me this is waiting.
But the lighting is gentle and the air is warm, yet still I wrap my legs in a tight knot. How did I never register such tension before? It’s a classic me pose and my hips feel brittle and worn – as thought they might snap.
A man stands before us to make an announcement. He does not understand about voice projection. His underwater mumbling tickles my funny bone and I exchange amused glances with a young woman I realise I do know across the aisle. I’m now in deep peril. Uncontrollable laughter (silent shoulder shakes) could seize me, and so I gulp hard and look at my feet feeling lucky that the woman sitting next to me shows no social interest in me. This is all so random. I sit at the shore it seems.
I am relieved when the choir files in, knowing that I will cry and no longer feeling shame. I have tissues and am prepared – learning to savour this trait and understanding that my tears are a bodily reaction. What I experience is a simple response to stimuli by a hyper sensorially alert nervous system. A system so calibrated that I am highly attuned to danger and emotion – this is the core of my difference and why I can’t shrug off the ‘ordinary’. These are assets as a mother and an artist – I can enjoy my tears. I’m grateful at last.
These voices are exquisite – many on the cusp of womanhood pierce my heart.
I hang in knowing that this will probably take an hour, maybe more (but not by much I hope). More than enough time to get distracted, notice a child playing with her muffler (oh the boredom at that age!) and her mother steadily marking homework with a red biro. Admirable multi-tasking. Discreet too. The kind of hands whose writing could probably stay neat on the deck of the Titanic. Momentarily I envy her, my mind playing over the myriad circumstances under which I lose coordination and descend into scrawl. Indecipherable letters but mine own, now revealed as part of the greater whole.
The other day I imagined the difficulty managing information flow (of all kinds including sensory) and coordinating responses in autism as the want of a traffic cop at an intersection during rush hour.
But it’s always rush hour unless you make it stop. You make it stop by withdrawing to where you can control the flow.
It’s very simple.
But there’s more. I have not bargained for the ultimate neurotypical surprise. The interval! After 40 minutes things stop. What?
People it seems would prefer to have a break from the music they’ve come to hear to talk to one another some more, and drink from an assortment of hot and cold beverages of the type they can have at home! Good God! This is fantastically strange and eccentric.
It goes on. I am blessed. My daughter arrives knowing that I will be at sea, she thinks to come and give me a hug and takes time from the dressing room to swap notes on the hours we’ve spent apart. I tell of my astonishment – the ways of the socially needy! I whisper.
We smile and the room dissolves.
© Sonia Boué 2016
October 20, 2016 § Leave a comment
Photograph by Stu Allsopp
Understanding that there is a delay, is helping me somewhat. My recent diagnosis of autism means I am beginning to realise that there is sometimes a disconnect. It takes time to know what I’m feeling when activity steps up in intensity.
The past few weeks have been madly busy by anyone’s standards. I’ve brought my Spanish Civil War project, about British artist Felicia Browne, to a successful conclusion and it’s time to slow down a little. I can’t stop though as work comes in on the back of our events, mainly in the form of requests for talks which have to be written. I have to draw all the elements of the project together in a report and send in an evaluation to my funders. Tomorrow I will run a workshop which needed careful thought and a lot of equipment, including rather fine teas and coffee to keep us going. I have new projects on the horizon. But mainly my family need me back and my focus is returning.
I’ve had my moments of relaxation and brief snatches of joy. Taking my family to see the work last weekend was a high point among others.
Yet a sense of satisfaction is elusive – and I know that this is partly because some of the people I really wanted to see the work couldn’t make it. I think I have a right to feel sad about that. These particular people matter and the work matters. I have to wait and plot more showings, while knowing that this symbolic showing was special and can’t be repeated. Site specific work of this nature is temporal reminding us that everything is.
I’m sad mainly at how hard it is to make the work accessible to all the people I wish could see it – including those no longer with us. I seem to be glancing against a shard of grief like a broken bottle in the shallows. My work usually mitigates sadness – in honouring my father and my grandparents I actually feel more connected. But this time it’s different. The poignancy of the two project mama’s meeting one another at the exhibition when their now dead Spanish exile husbands were the connector was sometimes hard to bear, and I have a new work in the studio which features family photographs – it’s proving emotional.
I also want more people to know about Felicia – and I’m sad about that too. She deserves to be more remembered and for this I have to play the longer game and trust that this is just a beginning. We’ve had such a brilliant response to the work – now we need to find it a bigger stage.
I have to hold on to my original vision of bringing the history home as a symbolic act – and this being achieved in the most beautiful setting imaginable. In this and in all the wonderful responses to the work we have succeeded.
You can read all about the project here.