Photography Stu Allsop: At RE:collections at the North Wall Gallery, Oxford.
An interesting article appeared in yesterday’s Guardian newspaper, featuring my good friend and fellow autistic artist Jon Adams.
I like this particular quotation from the piece,
“Adams says it’s impossible for his autism not to affect his work. “It’s not separate so it must inform every bit of the work I do, even at an unconscious level. I make work touching sound, finding patterns and observations from my life all woven together as one.” He feels it may even give him an advantage: “It’s both my downfall and my creative edge,” he says.”
I’m chuckling though.
“…may even give him an advantage…”
Are you kidding?
While not wishing to indulge in trumpet blowing, I have to say that autism is of course advantageous in the making of art. No question.
Jon and I have talked about this on several occasions and conclude that art making has emerged in our lives as an inner compulsion – we live and breathe it – this is what drives us to create to our best abilities. Hyper-focus, perfectionism, task completion and originality (by default we see things differently), are my four (not so) secret weapons.
This doesn’t make me Rain Woman!
AND there is a downside. In the making autism is an advantage, but it is in the professional development and dissemination of our work that we often suffer.
Professional structures are socially driven and thus biased against autistics.
It’s a criminal mismatch when you think about it.
All that creative talent and very little scope for opportunity.
What a waste.