Making it through.
May 6, 2016 § 7 Comments
My last post was about waiting for Arts Council England (ACE) to make a decision on my project. Funding from public money in the arts is limited and brings a great responsibility to the recipient. So I feel incredibly fortunate to have been awarded funding under the Grants for the Arts scheme, and will give my all to this work. The ability to maintain a sustained focus and perfectionism are real assets in my job. They are also what enabled me to put three months into the project development and application – though I could not have made it through without my network of helping hands. Trusted neurotypicals, who were willing to share their insights and skills with me to navigate the NT world.
Autistic artists face multiple barriers in applying for this kind of award. These became apparent to me during the application process, and I have begun to write some survival notes for other artists in my art blog. Yesterday this particular blog post was shared on Twitter by the Arts Council itself – it feels as though my message about the inequities faced by neurodiverse artists is beginning to filter through.
ACE have a wonderful helpline for those who can access the telephone and you can also email. There are generous access measures in place if you can find them and they happen to take the form you can get along with. I felt encouraged at every turn by the people interface at ACE. But difficulties remain in accessing the access for many of us (a frustrating tautology), and further barriers created by the clunky new online portal called Grantium. A more detailed analysis of what is so very wrong with this template for neurodiverse artists will be a longer and more technical matter than befits a blog post – and possibly the work of consultation with ACE if they’re willing.
These are major issues for neurodiverse artists, but could be improved without great difficulty I feel. From my days of social policy study I reckon these to be “at a stroke” changes, meaning that they require only policy shifts and administrative nods to implement. SO it is important to bring them home to source, as I’m certain ACE are committed to access and equality and that these obstacles are systemic and unwitting.
The larger more insidious inequities are those of the social world which are embedded in arts opportunity on every scale and form. This will take a great deal of unpicking to arrive at an adequate description of what is so very disadvantageous for autistic artists in particular. I’m ready for the long haul.